Dear colleagues,

here my 55-ideas:

A
structure/form: I would like to work with MODULS, i.e.

Fibonacci´s “55” =
= 34 + 21
= 21 + 13 + 13 + 8
= 13 + 8 + 8 + 5 + 8 + 5 + 5 + 3
= 8 + 5 + 5 + 3 + 5 + 3 + 3 + 2 + 5 + 3 + 3 + 2 + 3 + 2 + 2 + 1
this series should/could be permutated

- thinking in variations / processes

the series above contains:
1 × 8min = i.e. 1 variation and/or 1 process and/or 1 static av-object etc
4 × 5min = it could be a 20min process, broken in 4 parts, or there are 4
“mini”-processes etc
6 × 3min = it could be a 18min process, broken in 6 parts etc
4 × 2 min = etc
1 × 1 min = etc MAXIMUM?

= 16 MODULS in 5 process-“LINES”
1 -> 8min
2 -> 20min
3 -> 18min
4 -> 8min (compare with 1)
5 -> 1min

- the MODULS/LINES could/should be subdivided (free: by improvisation
and/or compositorical: by annother unit than seconds or minutes)

- thinking in INTENSITIES: – the MODULS are different in intensity, although they´re building up
processLINES

- i.e. one MODUL or ProcessLINE could be (or contain) Claudius´textform /
textscan etc, so it have a specific intensity – every MODUL (or ProcessLINE) should have something specific/significant
to differ between them (i.e. black/silence = on/off, color/blackandwhite,
solo/accompagnato, electronics/acoustics, audio/video, students/professors
. . . – etc)

- META-process / (“Dramaturgie”):
i.e. all processlines are melting into one? differences between them will
be reduced
i.e. ONE big furioso at the end? OR a long lasting morendo – or both – which/where are the turning(“plot”)points

!! – Should we start composing with/from the end?

B
in this project I would like to work mainly as visual artist; my material
will be a ca 6min lasting videosequence of a choreography (solo, female,
with video in background). The camera is moving ON stage -> camera as a
second “dancer”

This material should “recomposed” by other visual artists, which I then
“recompose” etc – i.e. it could be enlarged/slowed down etc to get ´abstract´ images with
a ´real´ touch or vice versa
!!!! – Im very interested in the ´in-between-field´ of realism<->abstraction;

C
nonos: boredom for the audience (more composition, less happening)

Best,
Dietrich